展期 | Exhibition Period

2020.5.22-无限

开幕 | Opening

2020.5.22 18:00

史莱姆引擎携手艺术家丁力，联名打造全新展览项目。

展览将利用电脑技术构建艺术家工作室的样貌，在这个特殊时刻邀请观众一同走近丁力与他的创作。

在丁力的肖像作品中，他以绘画的笔触构成一种全新的视觉语言。单个体积的笔触通过颜色变化达到立体效果，呈现出带有人造光感的线条。 这些带有个人审美的人物肖像，经过数据处理以写生的方式再现，抽象的线条建构起带有内在情绪和力量的具象画面。在图像的时代，丁力通过这种方式从最日常的图像中制造出差异性和新的视觉语言。

Slime Engine works with artist Ding Li to jointly create a new exhibition project.

The exhibition will present the artist’s studio by CG technology, inviting audiences to together explore Ding Li’s studio and his practice.

In Ding Li’s portraits, brushstrokes form a new visual language. Voluminous brushstrokes produce a three-dimensional impression through gradation of colors, they present lines with digital reflects, depicting portraits in pure abstract strokes. These portraits responding to the artist’s own aesthetics criteria, sourced from the Internet or based on photographs of people of his surrounding, are reproduced through data processing and sketching. The abstract lines form a figurative picture filled with inner emotions and energy. In this era of images, Ding extracts the strangeness of people using this method, and creates differences and new visual language from daily images.

丁力

丁力1979年生于上海，2008年硕士毕业于法国巴黎国立美术学院(École Nationale Supérieure des Beaux-arts de Paris)，现工作生活于上海。丁力的作品基于对架上作品的反复实验，以最终明确自身对绘画的纯粹表达。他关注基于媒材特性的绘画探索，通过对油画颜料、喷漆、画笔与画框的重构呈现全新的视觉语言。

丁力近期参与的展览有：“4月12日，龙腾大道2879号106”，没顶画廊，上海，中国，2020；“罗伯特·宋”，没顶画廊，上海，中国，2019；“野生大都会”，宝龙美术馆，上海，中国，2019； “降临：发明风景，制作大地”，前哨当代艺术中心，上海，中国，2019；“可善的陌生”，UNArt艺术中心，上海，中国，2019；“极限混合 ——2019广州空港双年展”，广州，中国，2019； “变量与供养”，没顶画廊，上海，中国，2019；首届保时捷 “中国青年艺术家年度评选” 提名展，上海艺仓美术馆，上海，中国，2017；“偶发使命”，没顶画廊，上海，中国，2017；“思考本质不如消费形状”，没顶画廊，上海，中国，2017；“信息雕塑公路”，没顶画廊，上海，中国，2016；“发明仪式”，路易威登基金会：本土：变革中的中国艺术家，巴黎，法国，2016；“不够冲动是魔鬼”，没顶画廊，上海，中国，2015。

DING LI

Ding Li was born in 1979 in Shanghai, and graduated with a MA from the Oil Painting Department of the Academy of Fine Arts in Paris, France (École Nationale Supérieure des Beaux-arts de Paris). The works of Ding Li are based on repeated experiments with the aim of defining a pure expression of his own in this media. His practice focuses on the exploration of painting developed from materials characteristics and presents a new visual language through the reconstruction of oil paints, spray paints, brushes and frames.

His recent exhibitions include: “April 12th, No. 106, 2879 Longteng Avenue”, MadeIn Gallery, Shang-hai China, 2020; “Robert Song”, MadeIn Gallery, Shanghai, China, 2019; “Wild Metropolis”, Power-long Museum, Shanghai, China, 2019; “Advent: Inventing Landscape, Producing the Earth”, Qi-anshao Contemporary Art Center, Shanghai, China, 2019; “Extreme Mix-Guangzhou Airport Bien-nale”, Guangzhou, China, 2019; “The Kind Stranger”, UNArt Center, Shanghai, 2019; “The Variable and The Generating”, MadeIn Gallery, Shanghai, 2019; “In the Name of December 12.”, Imagokinet-ics Lab, Hangzhou, China, 2018; “The First Porsche “Young Chinese Artist of the Year” Nominees’ Exhibition, Modern Art Museum, Shanghai, China, 2017; “Yellspace Programme Exhibition—Partial Archive”, Yell Space, Shanghai, China, 2019; “Serendipitous Mission”, MadeIn Gallery, Shanghai, China, 2017; "Form Consumption Over Substance Reflection", MadeIn Gallery, Shanghai, China, 2017; "Information Sculpture Superhighway", MadeIn Gallery, Shanghai, China, 2016; "Inventing Ritual", Bentu, Chinese artists at a time of turbulence and transformation, Fondation Louis Vuitton, Paris, France, 2016; "Not Impulsive Enough Is the Devil", MadeIn Gallery, Shanghai, China, 2015.